Die Ölgemälde alles William Blake
Choice ID Image  Painting (From A to Z)       Details 
42512 A black living hung collected its ribs  A black living hung collected its ribs   mk169 1792 line engraving to a design 26.7x20.3cm
94447 A Negro Hung Alive  A Negro Hung Alive   1796 cjr
94963 A Vision of the Last Judgment  A Vision of the Last Judgment   Date 1808 cyf
77 A William Blake reproduction, photographed in our studio  A William Blake reproduction, photographed in our studio  
33822 Beatrice addressing Dante from her Wagon  Beatrice addressing Dante from her Wagon   mk86 c.1824-1826 Aquarell 36.5x52cm London,Tate Gallery
94444 Blake's Ancient of Days.  Blake's Ancient of Days.   23.3 x 16.8 cm (9 1/8 x 6 7/8 in.) 1794(1794) cjr
94446 Blake's Newton  Blake's Newton   cjr 1795
97409 Count Ugolino and his sons in prision  Count Ugolino and his sons in prision   1826(1826) Medium oil, tempera and gold on wood Dimensions 37.8 X 51.6 cm cyf
94442 Dante_Hell_XII  Dante_Hell_XII   cjr
45873 Death on a Pale Horse  Death on a Pale Horse   mk178 around 1800 India ink gray Lasur and watercolor on paper 39.3x31.1cm
94441 Der grobe Rote Drache und die mit der Sonne bekleidete Frau  Der grobe Rote Drache und die mit der Sonne bekleidete Frau   1805-1810 40 x 32,5 cm cjr
94960 Four and Twenty Elders Casting their Crowns before the Divine Throne  Four and Twenty Elders Casting their Crowns before the Divine Throne   Tate Date c.1803-5 cyf
80 Glad Day  Glad Day  
82 God as an Architect  God as an Architect   1794
22293 Happy Day-The Dance of Albion (mk19)  Happy Day-The Dance of Albion (mk19)   1794-1796 Colour engraving,pen and water-colours for Europe,a Prophecy,30.4 x 23.6 cm Fitzwilliam Museum,Cambridge
22804 Hecate (mk22)  Hecate (mk22)   1795 Color monorype,43 x 57 cm London,Tate Gallery
62538 Hecate or the Three Fates  Hecate or the Three Fates   1795 Pen and ink with watercolour, 430 580 mm Tate Gallery, London Recently the painting is called The Night of Enitharmon's Joy. The many titles show the many levels of meaning, or the impenetrable mystery of Blake's work. Author: BLAKE, William Title: Hecate or the Three Fates Form: graphics , 1751-1800 , English , mythological
26098 Jerusalem Plate 51(mk47)  Jerusalem Plate 51(mk47)   AA 1812 Relief etching,hand coloured 159x219mm Lent by the Syndics of the Fitzwilliam Museum Cambridge
83 Job and his Daughters  Job and his Daughters   1799-1800 National Gallery of Art, Washington DC
53883 Job and his dottrar  Job and his dottrar   mk234 1799-1800 27x38cm
39394 Joseflasst Simeon tie up  Joseflasst Simeon tie up   mk148 around 1785, sound the testaments of the twelve patriarchs Simeon was held because he had tried to kill Josef
62539 Los Entering the Grave  Los Entering the Grave   1804-20 Etching with pen, watercolour and gold, 220 x 160 mm Yale Center for British Art, New Haven This is the frontispiece of the illustrated poem Jerusalem. In the coloured version of the frontispiece to his Jerusalem, Blake placed the thorns of the Passion beneath his own personification, Los, as he steps bravely through a door into a dark, grave-like void. This is not an end but the beginning: Los has embarked on an adventure, one hand raised in greeting and the other holding a blazing sun to illuminate the truths to be revealed in the following pages. Author: BLAKE, William Title: Los Entering the Grave Form: graphics , 1751-1800 , English , mythological
94953 Night of Enitharmon s Joy  Night of Enitharmon s Joy   1795 Type Pen and ink with watercolour on paper Dimensions 44 cm x 58 cm cyf
53639 No title  No title   mk234 1794
94438 Oberon, Titania and Puck with Fairies Dancing  Oberon, Titania and Puck with Fairies Dancing   cjr
40624 Pity  Pity   mk156 Watercolour heightened with ink on paper 42x54cm
23255 Pity (nn03)  Pity (nn03)   c 1795 Watercolour heightened with ink on paperh42 xw54 cm h16 3/4 x w21 1/4 in Tate Gallery London
56119 sir james macdonald and sir alexander macdonald  sir james macdonald and sir alexander macdonald   mk247 1749,oil on canvas,69.5x58 in,176.5x147.5 cm,scottish national portait gallery,edinburgh,uk
40622 The Ancient of Days  The Ancient of Days   mk156 1794 Etching in relief with watercolour 23.3x16.8cm
40627 The Ancient of Days  The Ancient of Days   mk156 1794 Etching in relief with watercolour 23.3x16.8cm
22291 The Ancient of Days,frontispiece for Europe,a Prophecy (mk19)  The Ancient of Days,frontispiece for Europe,a Prophecy (mk19)   1794 Colour engraving,pen,water-colour 30.4 x 23.6 cm Fitzwilliam Museum,Cambridge
79 The Body of Abel Found by Adam and Eve  The Body of Abel Found by Adam and Eve   1825
48669 The Body of Abel Found by Adam and Eve  The Body of Abel Found by Adam and Eve   mk191 about 1825 tempera on the board 32x43cm
52711 The Circle of the Life of Man  The Circle of the Life of Man   mk223 Oil on canvas
94440 The cottage in Felpham where Blake lived from 1800 till 1803.  The cottage in Felpham where Blake lived from 1800 till 1803.   cjr
22805 The Fall of Man (mk22)  The Fall of Man (mk22)   1807 Watercolor 49.6 x 39.3 cm London,Victoria and Albert Museum
94448 The Ghost of a Flea  The Ghost of a Flea   1819-1820 21,5 x 16 cm cjr
22257 THe Great Red Dragon and the Woman Clothed in Sun (mk19)  THe Great Red Dragon and the Woman Clothed in Sun (mk19)   c 1806-1809 Water-colour,34.3 x 42 cm Brooklyn Museum,Brooklyn(NY)
81 The Great Red Dragon and the Woman Clothed with the Sun  The Great Red Dragon and the Woman Clothed with the Sun   1805-1810
94970 The Harpies and the Suicides  The Harpies and the Suicides   1824-7 cyf
45944 The Horse, out of William Hayleys Ballads  The Horse, out of William Hayleys Ballads   mk178 around 1805/06 Tempera with black India ink on copper sting disk 10.6x6.4cm
94443 The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta  The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta   374 x 530 mm 1824 - 1827 cjr
78 The Marriage of Heaven and Hell  The Marriage of Heaven and Hell   1790-93
94445 The murder of Abel  The murder of Abel   c. 1825 cjr
94439 The Night of Enitharmon's Joy  The Night of Enitharmon's Joy   44 x 58 cm (17.3 x 22.8 in) 1795(1795) cjr
26097 The Spiritual Form of Nelson guiding Leviathan (mk47)  The Spiritual Form of Nelson guiding Leviathan (mk47)   AA 1812 Tempera on canvas 762x625mm Tate,London
William Blake
1757-1827 British William Blake Galleries William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.



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